Page 1 of 3 123 LastLast
Results 1 to 10 of 23

Thread: LA Times Article on Session Drummers

  1. #1
    Inactive Member drum4fun's Avatar
    Join Date
    March 29th, 2002
    Posts
    451
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Talking

    In Sunday's (June 15) edition of the LA Times' Calendar Section pages E1 & E45, there was an article on the decline of session drummers due to the use of drum machines. Hal Blaine, Jim Keltner, and Rick Marotta were interviewed for the article.

  2. #2
    Inactive Member bouts's Avatar
    Join Date
    January 14th, 2003
    Posts
    53
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    hi,
    is there a website where we can read this article? I'm from france and i don't receive the LA Times...
    thanks

  3. #3
    Inactive Member JohnnyDrum's Avatar
    Join Date
    February 25th, 2003
    Posts
    15
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)
    I got the LA Times website up via Google, looked at today's online news, clicked on the
    Calendar icon/sidebar...and there was the ( very interesting) article, which, if you search the LA Times'archive, they want to charge you $$$$ to read... [img]cool.gif[/img] [img]graemlins/smarty.gif[/img]

  4. #4
    Inactive Member BennyAndTheSkins's Avatar
    Join Date
    December 13th, 2002
    Posts
    311
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    This seems like the same old story.... I remember seeing Phil Ehart, the drummer for Kansas, in a clinic back in 1984, and he was talking about all the off beat, creative stuff he does, in order to "Stay ahead of the drum machines". I still think there's no substitute for the subtlety, nuance, and groove that you get from a real person.

    I would think that the more unnerving thing for studio musicians/drummers would be the advent of Pro Tools, where a drummer can lay down a few tracks that he thinks really sucked, and wants another go at the tune, but the producer says, " I have all I need. Thanks.", and proceeds to stitch together the track, and shift back beats, fills, etc as needed. (Franken-track!)

  5. #5
    Inactive Member XNavyDrummer's Avatar
    Join Date
    January 17th, 2002
    Posts
    871
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    drum4fun,

    Can you give us a summary of what the article said?

    Thanks!

  6. #6
    Inactive Member ladanny's Avatar
    Join Date
    January 31st, 2003
    Posts
    819
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

  7. #7
    Inactive Member PocketPlayer's Avatar
    Join Date
    January 20th, 2002
    Posts
    1,462
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

  8. #8
    Inactive Member FuseU1's Avatar
    Join Date
    July 15th, 2002
    Posts
    3,631
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    Thanx - fun, johnny, danny, & PP for that/those...
    ...benny - lol, "Franken-tracks"...
    while i agree w/ u, i will also say that i'd rather listen to a real drummer who's been "pro-tooled" than all those blasted top-40 tunes w/ those stiff-as-a-statues'-butt drum machine tracks...
    But, now, those same machines in the hands of [& along w/ the playing of], say, a VC/DW/VD/DC/TL/RG [/great drummer], now THAT'S a completely diff story altogether [img]eek.gif[/img] [img]graemlins/thumbs_up.gif[/img] [img]cool.gif[/img] [img]wink.gif[/img]

    btw - i had the fortune of meeting/briefly speaking to Hal in Orlando, FL, around '88 [along w Mike Terrana, Scott Travis, & Liberty DeVitto]; a very nice & informative guy... while self-admittedly "not a chops guy; [I'm] more of a groove guy," he nevertheless is an important part of the studio/recorded drums heritage... [however, i have never had the fortune of meeting Keltner or either of the Marottas] ;=) :=(

    <font color="#a62a2a" size="1">[ June 16, 2003 08:40 PM: Message edited by: FuseU1 ]</font>

  9. #9
    Inactive Member buga's Avatar
    Join Date
    January 30th, 2003
    Posts
    325
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    link? anyways like Omar says its kinda sad but u just have to adjust with the times and needs...

    Aronoff is probably my favorite LA Studio guy, his drumming is so uplifting, cheerful and inspiring like his character.

    I was listening to his playing from Burning For Buddy awhile ago, killer playing especially for a rock drummer [img]rolleyes.gif[/img]

  10. #10
    Inactive Member drum4fun's Avatar
    Join Date
    March 29th, 2002
    Posts
    451
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Post

    Thanks ladanny for posting the link to the article.

Page 1 of 3 123 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •